Page 158 - Makna Sosial Burung Enggang
P. 158
Meletinsky, E. M. (2014). The poetics of myth. The Poetics of
Myth, 1–494. https://doi.org/10.4324/9781315050263
Mizrahi, Y., Nerd, A., & Nobel, P. (1997). “Mitoni” Traditional
Ceremony For Javanese People (Description of Form,
Components Identification, and Meaning of the Myth).
Synthesis, 11(97), 1273–1276.
Moore, I. (2014). Cultural and Creative Industries Concept–A
Historical Perspective. Procedia - Social and Behavioral
Sciences. https://doi.org/10.1016/j.sbspro.2013.12.918
Poon, S. (2020). Symbolic Resistance: Tradition in Batik
Transitions Sustain Beauty, Cultural Heritage and Status in
the Era of Modernity. World Journal of Social Science, 7(2),
1. https://doi.org/10.5430/wjss.v7n2p1
Pramono, S. (2020). Semiotika Visual Dalam Pertukaran Tanda
Dan Makna Sosial Politik Pada Batik Karya Hardjonagoro
Go Tik Swan. Jurnal Sosioteknologi, 18(3), 497. https://doi.
org/10.5614/sostek.itbj.2019.18.3.16
Puddephatt, A. (2009). The search for meaning: Revisiting
Herbert Blumer’s interpretation of G.H. Mead. American
Sociologist, 40(1-2 SPEC. ISS.), 89–105. https://doi.
org/10.1007/s12108-009-9067-0
Ramlan, K. (2019). Batik as a Site for Performing National
Identity : A Comparative Critical Discourse Analysis. The
Second International Conference on Malay Language Teaching,
Literature and Culture, Goethe University of Frankfurt, 25-
26 March 2019, Publisher: Faculty of Educational Studies,
Universiti Putra Malaysia, April, 888–903.
Rauty, R. (2019). Remarks on blumer, symbolic interactionism
and mass society. Italian Sociological Review. https://doi.
org/10.13136/isr.v9i2.274
Makna Sosial Burung Enggang dalam Batik Masyarakat Dayak... | 145